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African, European and Indigenous traditions had begun to coalesce into the blues in the South much earlier than the ’20s, but our perception of history is usually based on recorded history: what gets recorded, written about and incorporated into our accepted common memory. Find album reviews, stream songs, credits and award information for BD Blues: Memphis Minnie - Memphis Minnie on AllMusic The official job prospects for black women were limited to domestic service and farm work both of which demanded grueling labor and subservience for low pay. It is difficult to tell whether audiences demanded different music, or if they bought what was promoted and available. In the studio Minnie worked with pianist Black Bob, drummer Fred Williams and other instrumentalists, from the occasional trumpeter to lap-steel and mandolin. The Songs. Her recordings with Son Joe are in duet style, with piano, bass or drums added on some sessions. Complete Recorded 2 Memphis Minnie & Kansas Joe. She can walk”. Clearly she had by that time embraced the next phase of the blues. Memphis Minnie, Black Bob, Bill Settles / Memphis Minnie: Memphis Minnie, Black Bob, Bill Settles / Memphis Minnie - Joe Louis Strut / He's In The Ring (Doing That Same Old Thing) ‎ (Shellac, 10") Vocalion (2) 03046: US: 1935: Sell This Version Kansas Joe,and Minnie were guitarists of equal ability, and the interplay of their instruments is like a great conversation: with both of them switching between treble and bass. Have fun! Despite her Southern roots and popularity, she was as much a Chicago blues artist as anyone in her day. Although Memphis Minnie is gone, her music is still full of life, and her influence can be heard in the music of the many Chicago blues players who came up during her reign in the thirties and forties. Tracking down the ultimate woman blues guitar hero is problematic because woman blues singers seldom recorded as guitar players and woman guitar players (such as Rosetta Tharpe and Sister O.M. Lizzie Douglas was born on June 3, 1897 in Algiers, Louisiana. In the same session Son Joe sang “Black Rat Swing”, and sounded so much like Minnie he must have borrowed her chewing tobacco. 04. Many of her hits are still standards in more than one genre, like “What’s The Matter With The Mill?”, “Chauffeur Blues” or “When The Levee Breaks”. Her work (over 200 recordings) leads the way through the development of blues guitar playing, starting with her first recordings in 1929. Play Memphis Minnie hit new songs and download Memphis Minnie MP3 songs and music album online on … Minnie toured a great deal in the ’30s, mostly in the south. 1 the Complete post-war Recordings in Chronological Order. In any case, in 1929 Elizabeth Douglas, professionally known as Memphis Minnie, made her debut on record. The forties treated Minnie and Son Joe well and they performed both together and separately depending on finances, (they could make more money playing separate gigs). He standardized the sound of his blues offerings, using musicians like Tampa Red, Big Bill Broonzy and Thomas Dorsey to back up different artists. Brown provided the solid rhythm and bass lines she seemed to require from all her men. The original dates back to 1929, and Minnie’s first-ever recording session. Some of Minnie’s best lyrics come from this period, like those in the autobiographical “In My Girlish Days”, (1941)which she played in G in standard tuning.   In 1933, when Big Bill Broonzy was very popular in Chicago, a blues contest between him and Memphis Minnie took place in a night club. Memphis Minnie was born on this date in 1897. Master finger-style guitar player. Minnie was quick to embrace the latest technologies in order to be heard above the crowds She was one of the first blues players to use a National in 1929, and to play an electric wood body National and various electric guitars in the ’40s and ’50s. Memphis Minnie’s music remained popular over two decades because it was lyrically and instrumentally in tune with the lives of Black Americans. She and Brown began playing together around 1915 in the resort town of Bedford Mississippi, where tourists could take a ferryboat trip around nearby Lake Cormorant. Memphis Minnie’s music remained popular over two decades because it was lyrically and instrumentally in tune with the lives of Black Americans. In our society, what is deemed important is often what has commercial value, and that is precisely what pushes blues off the front porch and onto 78s. Tough enough to endure in a hard business, she earned the respect of her peers with her solid musicianship and recorded good blues over four decades for Columbia, Vocalion, Bluebird, OKeh, Regal, Checker, and JOB. Memphis Minnie's songs: Listen to songs by Memphis Minnie on Myspace, Stream Free Online Music by Memphis Minnie in the ’20s when record companies first perceived a market for the style. MEMPHIS MINNIE & KANSAS JOE. Photo courtesy the Frank Driggs collection. She shaped a life very different from the limited possibilities offered to the women of her time. Record companies are remarkably mono-thematic about marketing, and Minnie, like many other blues musicians, played jazz and swing tunes as well, although there are only hints of this in her 200 recorded sides. Hoodoo Lady. 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