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De Kooning returned to this subject matter at different periods of his career, and with each painting in the series, the women on the canvas became more abstracted as they melted into lines and colors. During the summer of 1952, spent at East Hampton, de Kooning further explored the theme through drawings and pastels. ‘Women Singing II’ was created in 1966 by Willem de Kooning in Abstract Expressionism style. De Kooning's response was to begin three other paintings on the same theme; Woman II (The Museum of Modern Art, New York), Woman III (Tehran Museum of Contemporary Art), Woman IV (Nelson Gallery-Atkins Museum, Kansas City). One of the most prominent and celebrated of the Abstract Expressionist painters, Willem de Kooning's pictures typify the vigorous, gestural style of the movement. A member of staff poses next to paintings by Dutch American artist Willem de Kooning entitled 'Woman' (L), 'Woman II' (C) and 'Woman as Landscape' (R) at the Royal Academy of Arts on September 20, 2016 in London, England. It measures 68 by 48 1/2 inches (1.73 by 1.23 m) and was completed in 1953. Browse upcoming and past auction lots by Willem de Kooning. De Kooning and this group finally stole the spotlight and were responsible for the historic shift of attention to New York in the years following World War II. Find more prominent pieces of figurative at Wikiart.org – best visual art database. View Two women II by Willem de Kooning on artnet. Summary of Willem de Kooning. They were based on pop singers the artist saw on television. Artwork page for ‘Women Singing II’, Willem de Kooning, 1966 This is one of three paintings by De Kooning titled Women Singing. In November 2006, the painting was sold by Geffen to billionaire Steven A. Cohen for $137.5 million, making it the third most expensive painting ever sold. After World War II, de Kooning's avant-garde circle approached celebrity status. Woman, II is an Abstract Expressionist Oil on Canvas Painting created by Willem de Kooning in 1952. Woman III is one of a series of six paintings by de Kooning done between 1951 and 1953 in which the central theme was a woman. Yet Woman in Landscape II belongs to a body of paintings that, however far the motif has been reworked and reconfigured, are drawn from de Kooning’s experience of nature and his love of the landscape of East Hampton on Long Island. The surface of the canvas is covered in thick swathes of energetic, vertical, and horizontal gestures of creamy and silvery hues. Woman III. It lives at the MOMA, Museum of Modern Art in New York. Interviewed by Sylvester a few years earlier, he spoke of the authority that he felt he had achieved in his painting. 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